Simon argued that the successive waves of art secessions in the late 19th and early 20th century Europe collectively form a movement best described by the all-encompassing term "Secessionism."īy convention, the term is usually restricted to one of several secessions - mainly in Germany, but also in Austria and France - coinciding with the end of the Second Industrial Revolution, World War I and early Weimar Germany. Hans-Ulrich Simon later revisited that idea in Sezessionismus: Kunstgewerbe in literarischer und bildender Kunst, the thesis he published in 1976. Led by Gustav Klimt, who favored the ornate Art Nouveau style over the prevailing styles of the time, it was inspired by the Munich Secession (1892), and the nearly contemporaneous Berlin Secession (1898), all of which begot the term Sezessionstil, or "Secession style." Of the various secessions, the Vienna Secession (1897) remains the most influential. His word choice emphasized the tumultuous rejection of legacy art while it was being reimagined. The name was first suggested by Georg Hirth (1841–1916), the editor and publisher of the influential German art magazine Jugend ( Youth), which also went on to lend its name to the Jugendstil.
In art history, secession refers to a historic break between a group of avant-garde artists and conservative European standard-bearers of academic and official art in the late 19th and early 20th century. Later art movements, including the International Style, Bauhaus, and Art Deco The French Société Nationale des Beaux-Arts secession and other Modernist art, including Art Nouveau, Dada, Impressionism, folk art native to the region and African and Asian art
Pierre Puvis de Chavannes, Franz Stuck, Otto Eckmann, Gustav Klimt, Max Liebermann, Egon Schiele, Otto Dix Paul Hoecker's 1901 cover for the influential Munich-based magazine Die Jugend that inspired the Jugendstil Secession.īegun in France, concentrated in Germany and Austria
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